I just finished a 1500 word article for a future Escapist and I’m still not entirely thrilled with it.
This is a normal feeling for me. There are reviews I wrote three years ago that I still think could use another ten edits. But deadlines are deadlines. Fortunately, The Escapist has some good editors. I’ve been fortunate in that very few of my pieces have ever been sent back for major rewrites by anyone.
I attribute this to my good nature and winning smile.
A lot of people want to write about games. Check the forum of any gaming publication and you are guaranteed to find a new thread every few months from someone asking how they can get a chance to write about games for money. There is an underlying assumption that knowing about games is the same thing as being able to write about them.
Of course, it isn’t. Knowing about games is essential, but not the end of the process.
For some reason, a lot of people have asked me how to get started, even though I’m hardly a great success story. I’m not making a real living at this, and I’m not even in the top ten game writers that I read regularly. But people ask. And they sometimes send along samples or ask for critiques. Here is all my wisdom distilled in a bite sized chunk.
Two things separate good writers from the rest.
a) Good writers read widely across a range of subjects.
b) Good writers write because they have to.
The first part is the hard part. Most people don’t read any more, me included. I read two newspapers a day, a lot of nonfiction and poetry. But that’s about it. My fiction reading is negligible at the moment – a major oversight that cuts me off from some good stuff – and I’ve never really been much into writing about music. Considering how many gamers and game journalists subsist on a steady diet of anime, scifi and fantasy, I probably seem erudite. But there’s a lot more I could be doing.
Reading is important because it teaches you how to pace your words and ideas. It’s not about learning ways to drop references to Robert Frost into a review but about economizing word choice, knowing when an anecdote illuminates or obfuscates and realizing that even the unspoken word has a cadence to it. Exposure to different styles and forms is important.
The second part sounds like a motivational speaker slogan, but I think it’s true, notwithstanding. Good writers are compelled to communicate their ideas, and will find a venue for that communication. Even in those professions that demand writing as evaluation tools, like academics, the best writers are those who are driven not simply to finish the tenure book but to pass along an idea to as wide an audience as possible.
So there you have it. My thumbnail guide to being a good writer, something I make no claim to for myself. But I think that if you are ever truly happy with something you have written, you aren’t self-absorbed enough to make it.