I was at Firaxis yesterday, mostly tagging along with a fellow scribe as he worked on a preview of an upcoming game. He had a chance to talk to Mr. Meier about a wide range of things. One of the topics touched on was how nice it would be to just plop a disk into a computer and have the game just start. You know, like a console game.

At the time, I smirked a little on the inside, mostly because I don’t usually have enormous problems installing games. We have a wide range of machines with a wide range of abilities. I like this flexibility and the install time gives me opportunity to read the manual.

But today I spent well over 90 minutes trying to get a single game to install. First the game was on a 16x DVD-R, so that ruled out the first machine. So I moved up a level and the installer kept starting and stopping. Starting and stopping. Sometimes not starting at all.

Then it started well, but prompted me to register. No problem. I always register. This crashed the install.

Finally I get it on the computer. But wait – it has to update my DirectX. Actually, it doesn’t since we keep Dx up-to-date at all times, but games now require that you use their Dx installer. Fine.

Oh, and it’s Starforce. So it has to install “additional libraries”. Install those. But before I can play, I need to reboot so that installation can complete.

Done. Everything installed. This being a press review copy, I put in the “start disk” (some European thing…) so I can actually launch the game.

“The code you have is invalid or incorrect. Please enter a code or contact customer service.”

Code? CODE!? There is no code on any of the stuff they sent me.

Some days it doesn’t pay to get out of bed.

I’ve been listening regularly to the PC Gamer Podcast for the last month or so, and it is getting a lot better. The addition of a single female voice helps a little in distinguishing which male is which, and since the voice is the learned Kristen Salvatore, even better. There is a better sense of an agenda and many fewer in-jokes. So, kudos to the guys at PCG for giving me a reason to keep listening.

But the most recent episode caught me short when Editor-in-Chief Dan Morris said that he wasn’t sure who Chris Crawford was.

This admission came by way of commentary on gaming’s Jeremiah once again emerging from the wilderness to say that gaming has lost its way and that it can only be saved by innovation, whatever that means. The PCG discussion followed the expected form of talking about what innovation there was in the industry, a recognition that there is a lot of me-tooism in the industry and some curiosity that Crawford can make these claims when he cops to not really following the game industry that closely.

But the EIC of computer gaming’s number one publication saying that he didn’t know who Crawford was stuck with me. True, he hasn’t made a game in a very long time. But this is the founder of the Game Developer’s Conference. One of the fathers of war and strategy gaming on the computer. The first real analyst/practitioner of electronic game design.

I’m not going to say that these credentials mean that his opinions on the current industry automatically have merit. I think he’s a bit of a crank, divorced from the market pressures that exist today and blind to all the great stuff going on in the industry.

I will say that a man of Crawford’s stature should at least have his name recognized by computer games journalists/analysts. If this is the fate of Crawford, who emerges from his cabin to rant every year or so, what has become of the reputation of the late Dani Bunten, probably the single most creative and wide-ranging talent of the early days of the hobby?

In a way, this is a result of the now-ism of the hobby. It’s mostly about “what have you done for me lately?” which is perfectly reasonable if you see your job as a critic to simply be reporting on what is on the shelves. But not knowing what has gone before makes it impossible to recognize how far game design has come.

It is the mirror image of Crawford’s problem. He was powerful and important when the industry was in its infancy; a time when everything was new and everything seemed possible. Games had little hope of going mainstream. So he sees everything around him today as a pale shadow of those glorious days of invention and creativity. Could there be a time in the near future when journalists forget when there were no RTS games? When MP was either absent, unreliable or hotseat? When Sid Meier made flight sims?

The historian in me naturally thinks this sort of stuff matters somewhere along the line. No, your average gamer doesn’t need to know this; your average American doesn’t need to know about the Shay’s Rebellion to be a good citizen, either. But a little perspective on where the hobby has been can give game journalists and critics some clue as to how it has gotten where it is.

In other words, to know Crawford, you must know his opinions on Balance of the Planet and why he thinks it failed.

I’m an admitted Firaxis fanboy. Though I will often take shots at the company for resting on Meier’s past triumphs, I can’t deny that the re-imaginings and revisions of his classics are irresistible and addictive.

If you want some insight into the company, they have a podcast now. I mean, why not? Everyone else does. It’s pretty short – less than a half hour – and will be monthly. The purpose behind the podcast seems to be to show how cool Firaxis is as a workplace. But there is also some insight into how the games industry works with some discussion of what exactly a producer does and how QA may not be the most exciting job in the world.

Stay till the end for the Meier Minute. The podcast looks like it will be slowly releasing information about an unannounced Firaxis game.

The last exam taken, the last form submitted, the last tearful farewell from a student and my year of teaching has come to an end. I had a lot of fun, learned a lot about myself and my tolerance for bureaucracy and public school expectations.

But I can’t say that I’m sad that it is over.

Plans for the summer:

1) Finally get this blog on to my own domain.
2) Deliver all my promised articles on a more regular schedule.
3) Get a couple of chapters written on my book.
4) Get this blog on a routine, with regular weekly features.
5) Clean my house.
6) Play more games.

Top of that “play” list is to play more Gal Civ 2. This is one of my favorite games of the year so far, but I haven’t had much time to play it since the review was written. It has been continually updated since release, and the new 1.2 update is supposed to be a big one. Stay tuned for my opinion on that.

You can read my review of Midway’s Rise and Fall: Civilizations at War here. Actually, this is Stainless Steel Studios’ game – the final game from the people that brought you the highly overrated Empire Earth and the greatly undervalued Empires: Dawn of the Modern World. As you can see, their titles never got very creative.

At Gamespot, Jason Ocampo ruled it “fair” – a 6.6 score that would have given me an out if I was allowed to use decimals. Over at 1up, Tom Chick ruled the game barely average with a 5/10, though the conclusion sounds like he almost gave it a three. There is actually quite a bit of difference in those two reviews, but both are let down by Rise and Fall. I wasn’t, but then my expectations were really low.

I went back and forth a long time on what score to give R&F. I know that the score isn’t the important thing, but I was held to a pretty strict word limit (and still went over…) and there was a lot I wanted to say about R&F. I had to decide whether this was a good game (a seven) or a solid game (a six). Then I had to choose my text to fit the conclusion.

Why the indecision on my part? Because, in many ways, those guys are right. Rise and Fall fails at a lot of what it sets out to do. The action part of the game is cool for a while, but ultimately unfulfilling. There is no sense that this is anything new or novel; it’s the same historic RTS that people have been making ever since Ensemble made Age of Empires. The campaigns are terrible.
But for me, the good outweighed the bad. No other RTS this side of Cossacks promises you huge armies and epic sized battles – and delivers. Sure, battles degenerate into swirling masses of crap, but that’s true about Rise of Legends, too; the big difference is that BHG’s swirling crap is usually very large and easy to notice. The siege warfare component is excellent – you can man the ramparts with archers and force your opponent to build weak ladder carriers to take them out. Civilian advisors are hired by spending “glory” a precious resource that can only be rapidly increased by going into battle. Choosing when to posess your hero can turn the tide of a major battle, or not if your opponent holds of on posessing his/hers until your Cleo in a miniskirt is seriously drained.

And, unlike some observers, I think Rise and Fall is actually a very attractive game. The trees wobble when struck by an axe, the flora and fauna frolic, the battles are appropriately gory. The buildings are a little dull, but really that’s about it as far as graphics complaints go.

None of this, however, makes me blind to the problems that neither Ocampo nor Chick spent much time on. (Ah, the tyranny of the word count.)

Take hero selection. Each nation gets two heroes, but for some of them there is only one real choice. Alexander is always a better bet than Achilles, Julius Caesar always trumps Germanicus; both favored heroes are faster, stronger and better with a bow. The Persians have the crappiest heroes (which isn’t surprising since they’re not even Persians) but Sargon’s Bow of Many Killings is almost always a wiser choice. They could have easily made this decision more interesting by making one hero cost more than another, making you choose between an early hero attack or a later one, or giving you the option to switch from a lame hero to a cool one once you had amassed a certain amount of glory.

Take naval combat. This game has great naval combat. Galleys ram each other, troops have to disembark and not just leap off en masse, you need drummers and sailors to perform sophisticated maneuvers…all very cool stuff. So why are there so few naval maps? Or so few maps that balance the new and wonderful ramming battles with the familiar archer/spearmen/horse-dude circle?

So, as you can see, I’m still a bit on the fence between good and average. (I’m on the fence about Rise of Legends, too, but it’s in a better neighborhood.) And this is why I wish I had more words. There are never enough words, even on the infinite page of the internet.

How did I finally decide? Well, I took my screenshots, wrote my two or three drafts…and did not uninstall. In fact, once the review was sent off, I played it again. And again. Is it the pull of material that I find inherently interesting? Considering my rapid uninstall of Legion: Arena, I don’t think so. Yes, I wish the AI was more aggressive. Yes, I sometimes wished the early economy wasn’t so weighted towards waiting.

But mostly I wished for a little more stamina so I could finish off those elephants.