People who know me know that I love words and language. I’m not one of those people who gets all uptight about the misuse of the word “ironic” or who loves archaisms, but I do mourn the transition of meaning for “begging the question” and I read Fowler’s English Usage for fun.
When Variety uses the word “maven” to describe their list of influential people in the gaming business, a little piece of me dies. A maven is someone who is an expert on something, who has a deep, wide-ranging knowledge and appreciation of a topic and who seeks to pass that knowledge on to a wider public. The word gained currency from William Safire’s language column in the New York Times in which he would explain the origins, meanings and distinctions between words; he dubbed himself a language maven and, no matter what you think of his politics, the man knows words.
So in what universe is anti-violent game crusader Leland Yee a gaming maven? You could even quibble about whether many of the designers on that list are mavens, since their expertise is in performance not passing knowledge onto others; I mean you wouldn’t call Bruce Springsteen a rock and roll maven would you? Is Michael Crichton a literary maven? And how is a film director a “vidgame maven”?
Variety seems to equate maven-ness with influence and that’s not necessarily wrong; a maven with no influence or potential to effect change isn’t much of a maven. But knowledge comes first, and nowhere do the articles convincingly communicate maven stature.
And don’t get me started on “vidgame”.
But doesn’t this beg the question of whether Variety writers know enough about the gaming industry to properly identify “mavens” in the first place?
They hired a maven maven, obviously.
Got their money’s worth, too, it sounds like.
“But doesn’t this beg the question…”
Why I oughta…
What can I say? The reason I’m amusing is because I’m so funny.
I always thought that mavens were some weird cross between an aesthete and a fanboy. According to Variety, they’re neither. How ironic.